Doing a good deed

One of the houses on our street has been hasn’t had the grass cut all spring. Anne and I had noticed weeks ago that it seemed like the prior family had moved out. But there had been no “For Sale” sign posted or any obvious activity outside the house. The house used to be owned by a near-retirement age couple who owned a flooring business. But the van advertising the business had been gone for some time and now it was clear no one was taking care of the house.

I had helped clear a tree from their driveway after hurricane Ike. I spent an hour or so clearing branches and cutting and moving the trunk of the tree with help from lots of other neighbors. The lady of the house had attempted to insist on paying me for my efforts, but I refused. I had been there to help out during a storm event, and was just being neighborly.

Monday, I decided to be neighborly again and cut their grass for them. I took the lawnmower over and knocked on the door. I could see through the side-lights that the house was vacant, but apparently some effort was being made to prepare it for sale, as evidenced by the vacuum cleaner and other supplies within view of the door. So I set to work cutting the near-forest of the front yard.
lawnmower
Within a couple of minutes a man with a lawnmower approached and in my naivete, I thought perhaps my altruism had inspired a neighbor to come help. He asked if I owned the house. Nope, just helping out by cutting their grass. Next he asked how much they were paying me. Nothing, just being neighborly. After a bit more chit-chat he asked if I wanted help. It had become clear to me that he was looking for a paying job, so I made it clear this wasn’t one of them. “Only if you’ll help for free” was my reply. “I won’t charge you that much.” I just about laughed in his face. With a “No Thanks” he left.

When I was about two-thirds of the way through the yard, the owner pulled into the driveway. For a moment I was nervous–I was intending to be helpful, but what if there was some other reason to let the grass grow crazy like this. Was she going to yell at me for being on her property? My nervousness disappeared when she got out of the van and beamed a great big “Thank You!” Again, I explained that I was there just to help out because something had clearly happened in their family that prevented her from taking care of the yard. She then ran through a long list of problems that had plagued her since her husband died just prior to hurricane Ike. This further convinced me that I had done the right thing. She needed the help. She then asked “What do I owe you?” Again, I tried to tell her that I wasn’t doing it for money. I was just being helpful. She pressed the issue, and I could tell I didn’t have the “natural disaster” excuse this time. So I came up with a number that would be pretty low, but not patronizing. I said “How about ten bucks?” She felt that was an incredible bargain, immediately grabbed her wallet, and fished out a pair of fives. She further explained that she would be getting in touch with her usual lawn care guy to get him to do it regularly until she could manage to sell the house.

So my good deed turned into a bit of cash. And had the guy who’d offered to help (for a price) stuck around, he would have gotten something too. But more importantly, her yard looks much better and the house doesn’t look obviously vacant.

“I would love to pay you”

When I shot Maggie Speaks, I had two goals in mind:

  1. Get some great shots to add to my portfolio, especially as proof that I can shoot in a large venue.
  2. Do what I now think of as “shoot on spec”, e.g. shoot the band, show them some teaser shots, and hope they’re interested in paying me for my efforts.

During the show a number of the performers acknowledged my presence, so I knew they were aware of my shooting. (Yeah, the 300mm lens is a bit obvious). With smaller gigs, I normally have an opportunity to meet the band during a break or afterward and give them a card. I rushed down to the stage at the end of MS’s performance but just missed the female lead before she ducked behind the curtain. So I was a little skeptical I would be able to get them to notice my work.

Within a few days, I identified a handful of shots to target the band, and I put them in a shockwave slide show. I went to their website and submitted a “contact us” web form with info about their performance and the slide show. I also found them on Facebook, became a fan, then added a link to the slide show. A week went by with no comments or messages from the band. Then I got an e-mail:

Thanks for sharing the link to the pics from HOB.  Any chance I could get some copies of them?

Sweet! I told him I was selling them for $10 each or $50 for the whole set. A week later he asks for thumbnails of the whole set. I figured this was a good sign–at least the $50 didn’t scare him off. The next message I got was like music to my appreciation-loving-ego:

I would love to pay you the $50 and get digital copies of the photos.

I sent him a Paypal “request money” and, true to form, about a week later, he sent me the money. It was just long enough of a delay that I was starting to let my doubts creep in. “Was this all sarcasm? Was he jerking me around? Had I gotten my hopes up?” Alas, patience was my only real course of action and I kept reminding myself that he’s obviously been busy, and this is not the highest priority on his list.

Thinking back on it, $50 feels like a bargain for him. He ended up with about 100 top notch shots. And I spent about 2 hours in downloading, post-processing and uploading. I don’t include the time I spent shooting because a) I was going to be at the venue anyway, and b) I was shooting for my portfolio anyway. So that time was better spent shooting than sitting on my butt next to my coworkers. I was seriously torn about that price point. I wanted to ask for $100 for the set, but I didn’t want him to back away from that and think “bah, I’ll just get two pics of me”.

“I would love to pay you” are the best six words an aspiring photographer can hear. He knew nothing of me or my reputation and we have no family or friends connections. He wanted to pay me based only on the quality of my work.

I also love how my first income from music photography (almost the first-ever, but Skippy beat them to it by 3 days) comes from a band with the same name as my mother-in-law. Maggie gave us the D60 for Christmas, 2008. Though I’d been interested in photography for many years, the D60 has allowed me to expand my knowledge and skills exponentially. At the time, I didn’t have the confidence to believe my skills were worth that level of camera, and I most certainly could not have made pictures like this with a point-and-shoot. Maggie’s investment made all of this possible. Thank you Maggie.

Profile Pics

Profile Pics, originally uploaded by rick020200.

A couple of weeks ago, shortly after shooting Skippy, I decided I wanted more practice doing portraits. I supposed that the folks I work with would be interested in having quick, easy, profile pics made for them. So I sent out an invite (our office lives and dies by Outlook calendar invites) titled “Free profile pics” to about 15 folks with the encouragement to forward if they wanted.

I brought in my camera and three flashes, but I only used two. Each of these had Lumopro LP120 behind shoot-though umbrella camera left, and Strobonar on the back ground (a nearly white conference room wall). The subjects were also pretty close to a near-white wall camera right.

First, I set the Strobonar, and tried to gauge that it would throw about f/11 off the background using a flash meter. I then set the LP120 to 1/2 or 1/4 power and it was doing about f/8 on the subject. This “felt” like the right balance before anyone showed up.

When folks showed up, I only had to make minor lighting adjustments, but I had one problem that I was able to fix in post-production for several of the shots–there was a bit of gradient in the background such that the top portion of the pictures was not completely over exposed like I wanted. With a bit more work, I think I could fix the remaining gradients, but at least one person told me they liked it and thought it was intentional.

Over-all I’m pleased with the result. The white wall camera right provided nice fill and rim light. The subjects are all folks I’ve worked with pretty extensively and were willing subjects except the middle of the top row. She has something wrong with her upper teeth and is very self-conscious about it. I told her she didn’t have to smile, but, like a dumb-ass, I kept cracking jokes anyway. Hence the forced I’m-NOT-going-to-smile look on her face. I apologized for continuing to be a clown and let her go so as to not make her more uncomfortable.
The gentleman in the upper left corner refused to sit up straight in the chair (I asked twice). I could just hear the advice from Clay Blackmore–never shoot anyone leaning back. So I rotated the camera and shot.
The gentleman in the upper right was my best subject. He’s the only single person in the group, and really wanted a variety of shots that he could use in on-line dating. So I did two headshots and two 3/4 length. I think he was the most pleased with the results.

All in all, I think I’ve become proficient at the technical aspects, while I still need to work on my camera-side manner. Maybe I should tape some jokes to the back of my camera. Maybe next time I’ll be more relaxed and patient and remember to build rapport and confidence in my subjects as I shoot.

Saved by PhotoRec

This weekend I had a memory card catastrophically fail. I had done a portrait shoot with coworkers earlier that day, and had shot Laura’s rehearsal and about an hour of the dinner when the camera said something like “Failed to write. Invalid Card.” I turned the camera off, back on, and pressed the Play button: “Folder contains no images”. Oh crap.

I figured there would be some utility that might help, so I immediately removed the card and set it to read-only, and put a new card in. I continued shooting the rehearsal dinner, and some barely willing subjects even said “But you already took a picture of us!” Yeah, sorry about that. I may not have that picture.

When I got home, I put the card in the SD reader in my wife’s laptop. Windows 7 recognized the card, but told me it was unformatted. When I looked at the card in Disk Manager,  it said it was partitioned, but with no file system. Oh dear. Remembering my Unix Admin days, I started looking for a Windows equivalent to the dd command, figuring that if I read the raw partitition, I might be able to find some way to extract the files. In my searches, I saw mention of PhotoRec.

I downloaded the program, told it where to find the memory card, and told it that the card had a PC based file system (as opposed to Linux/Unix) and told it where I wanted to save the files. 15 minutes later, I had a directory full of JPG and NEF files. The file names were apparently randomish sequential numbers, but that’s OK–JPGs are easy to rename.

So, PhotoRec saved my butt. All the photos I took that day were recovered, along with some older files from months ago.